Atomos Ninja V 5.2'' 4K60p HDR Monitor Recorder
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Atomos Ninja V 5'' 4K60p HDR Monitor Recorder
(Atomos ATOMNJAV01)
We Think You Should Know
- Australian Atomos Warranty
- Purchase Guarantee (see T&C's)
- 5.2'' Full HD HDR Monitor with 1000 nits Max Brightness
- Record up to 4K 10-bit HDR Video Direct From Camera Sensor
- Record up to 4K 12-bit Raw with Enabled cameras
- Capture with ProRes Raw
- AtomOS allows Instant Playback & Immediate Review
Overview
The Atomos Ninja V 5" 4K HDMI Recording Monitor is a 5" on-camera monitor/recorder that records and plays back DCI 4K, UHD 4K, and HD video from purpose-built mini-SSDs. It features a 10-bit FRC IPS screen with a brightness of 1000 cd/m², which makes it suitable for use in both exterior and interior conditions. The AtomHDR display technology allows you to accurately monitor your log gamma footage without having to view flat, washed-out-looking images or use a LUT to compress the dynamic range and colour space. The monitor supports popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remaining unaltered.
Features
Atomos Ninja V - Record Like a Ninja
Atomos Ninja V record up to 4K 10-bit HDR video direct from your camera's sensor over HDMI 2.0. Record 4K 12-bit RAW with enabled cameras. Teamed with a 1TB AtomX SSDmini you can now achieve up to 150 minutes of 4K ProRes recording on a single drive! And when you’re done, your edit-ready ProRes, ProRes RAW and DNxHR recordings are stored on affordable SSD drives.
Atomos Ninja V + ProRes RAW
Photographers have long known about the benefits of RAW for stills, now Nikon Z 6 and Z7 users can get the same power of RAW in the video. Capturing Apple ProRes RAW video with the Ninja V unlocks complete control of the video image at the highest quality possible. The maximum dynamic range, colour accuracy and detail are preserved, while at the same time every aspect of the video image can be controlled with precision for maximum creativity. Colours can be easily matched and the extra information means footage can be easily manipulated in post-production, which is especially useful for grading and VFX shots. – read more about ProRes RAW.
Atomos Ninja V Compact Monitor Recorder Made Perfect
The new Atomos Ninja V features a stunningly bright 5.2” 10-bit HDR monitor with an astounding 1000 nits of output. The sleek aluminium body is crafted for maximum durability, weighing in at just 360g and measuring only 25mm thick – easily attaching to any camera rig.
Recording 4K HDR Gaming
The Atomos Ninja V is a stand-alone system for 4k UHD, HDR and high frame rate capture that eliminates expensive, complicated and unreliable PC setups. Ninja V enables simple recording, monitoring and instant review. Capture every detail in HDR and automatically include all the correct HDR flags ready for upload to YouTube. Ideal for games development testing, pre-release capture sessions or just to show off your skills.
SSD Made Mini
At 7mm high and 80mm long, the new Atomos AtomX SSDmini is 20% shorter than traditional SSDs but keeps the SATA III connector Backward compatible with other Atomos recorders thanks to a clever extension handle option. Approved AtomX SSDmini drives are available from Angelbird and Sony media.
Atomos - The Company
Atomos is a global software and hardware technology company that creates, develops and commercialises ground-breaking products for the rapidly growing content creation market. The business was founded in 2010 when it created the world’s first video monitor-recorder. That monitor-recorder converged separate existing and more expensive products and allowed users to transform the quality of the editing and production output of their video camera for a fraction of the cost than had previously been the case. Since that day Atomos, working alongside an ever-expanding ecosystem of key technology providers that include Apple, Adobe, Sony, Canon, JVC Kenwood, Nikon, FUJIFILM and Panasonic, has been part of the rapid ‘democratisation’ and expansion of high-quality and accessible video content creation.
| Weight | |
|---|---|
| Without batteries & media | 360g / 12.7oz |
| With batteries & media | - |
| Dimensions (W x H x D mm) | 151 x 91.5 x 31mm |
| Construction | Aluminium alloy chassis with ABS polycarbonate back plate |
| Mounting points | 1/4-20 UNCscrew mount; 1x top, 1x bottom |
| Power | |
|---|---|
| Operating power | 10 - 19W |
| Compatible batteries | NP-F series and supporting accessories |
| Input voltage (battery) | 6.2V to 16.8V |
| Battery time (based on 2 x 7.4V) | 5200mAh - up to 2hrs (monitor & record 4K +60p) |
| 7800mAh - up to 3hrs (monitor & record 4K 60p) | |
| DC In | |
| Continuous power * Patent pending |
Continuous power with external adaptor* |
| Touchscreen | |
|---|---|
| Size | 5” |
| Resolution | 1920 x 1080 |
| PPI | 427 |
| Aspect ratio | 16:9 native |
| Color Gamut | REC709 HDTV |
| Look up table (LUT) support | 3D LUT (.cube format) |
| Anamorphic de-squeeze | 2x, 1.5x, 1.33x, Panasonic 8:3 |
| Technology | SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit |
| HDR | |
|---|---|
| AtomHDR | Yes |
| Supported Log formats | Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm, FujiFilm Flog, Nikon N-Log |
| HDR Recording (Gamut) | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ10k, HLG, Nikon N-Log |
| HDR Monitoring (Gamma) | Sony SGamut / SGamut3 / SGamut3.cine / BT2020 Canon Cinema / DCI P3 / DCI P3+ / BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 JVC LS300 Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| HDR Monitoring (Gamut) | Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 on screen Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 / BT2020 / DCI P3 on loop out |
| Bit depth | 10-bit (8+2 FRC) |
| Brightness | 1000nit (+/- 10% @ center) |
| HDR input (PQ/HLG) HDR output (PQ/HLG) |
Yes / Yes Yes / Yes |
| Video Input/Loop Out | |
|---|---|
| HDMI | 1 x HDMI (2.0) |
| SDI | - |
| Signal | Uncompressed true 10-bit or 8-bit 422 (camera dependent) |
| Video Output (Play Out) | |
|---|---|
| HDMI | 1 x HDMI (2.0) |
| SDI | - |
| Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
| Supported Loop Out Formats | |
|---|---|
| HDMI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 |
| SDI to SDI | - |
| Video Signal Conversion | |
|---|---|
| HDMI to SDI | - |
| SDI to HDMI | - |
| AtomX Expansion Port - Video, Audio & Power In/Out | |
|---|---|
| Video | Up to 4Kp60 |
| Audio | 12 channels digital 24-bit 96KHz |
| Power | 5V-16.6V |
| Supported Codecs & Frame Rates (Record & Playback) | |
|---|---|
| Video to ProRes / DNxHR (DNx utilizes a .MOV wrapper) |
Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB 4K DCI; 24/25/30/50/60p 4K UHD; 24/25/30/50/60p 2K 1080p; 24/25/30/50/60/100^/120^ 1080i; 50/60i, 720p; 50/60p |
| Onboard Processing | |
|---|---|
| Pulldown removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) |
| 4K UHD downscale for HD monitoring | Yes - Loop-out and playback |
| Audio In/Out (48kHz PCM Audio) | |
|---|---|
| HDMI | 2 or 8ch 24-bit, camera dependent |
| SDI | - |
| Audio | Line in / Mic in / Headphone out 2ch 48kHz 24-bit |
| Headphone out | 3.5mm |
| Remote Start/Stop | |
|---|---|
| HDMI | Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard |
| SDI | - |
| Other | LANC control - Slave |
| Playback | |
|---|---|
| Playlist / Genlock / LTC | Yes / - / - |
| CDNG (Recorded content) | N/A |
| ProRes (Recorded content) | All recorded files can playback. Playback in slow motion. |
| DNxHR / DNxHD (recorded content) | All recorded files can playback. Playback in slow motion. |
| Recording | |
|---|---|
| Pre-roll record | Yes (HD 8s, 4K 2s) |
| Custom timelapse | Yes* |
| Meta data tagging | Yes (10 tags available) |
| Supported media | 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives |
| Master caddy case | Master Caddy II (included) 75mm x 105mm x 12mm |
| Master caddy dock | 2.5” SATA to USB 2.0/3.0 |
| Supported applications | Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015 |
| XML support | FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools |
| * Timelapse feature will be added to next firmware upgrade | |
- Ninja V unit, Master Caddy II x 1,
- 12V-3A AC power supply, Battery Eliminator
- Quick Start guide
Peace of Mind Purchase Guarantee
This product is supplied via Atomos Australia and enjoys the FULL benefits of the 'Genuine Atomos Australian Warranty'. (You may also be entitled to other consumer warranties as provided by the Australian Consumer Guarantee and these entitlements are not limited by this warranty). In the event that this product should fail please contact our service department or you can speak with Atomos Australia directly.
We are a FULLY AUTHORISED Australian retailer for Atomos Australia.
Disclaimer
Due to differing operating costs associated with selling products via different marketplaces, our pricing may vary.

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