 |
 |
 |
 |
| Type |
Single-lens reflex digital camera |
| Lens mount |
Nikon F mount (with AF coupling and AF contacts) |
| Effective pixels |
36.3 million |
| Image sensor |
35.9 x 24.0 mm CMOS sensor (Nikon FX format) |
| Total pixels |
36.8 million |
| Dust-reduction System |
Image sensor cleaning, Image Dust Off reference data (requires
optional Capture NX 2 software) |
| Image size (pixels) |
FX (36 x 24) image area: 7,360 x 4,912 (L), 5,520 x 3,680 (M),
3,680 x 2,456 (S) 1.2x (30 x 20) image area: 6,144 x 4,080 (L), 4,608 x
3,056 (M), 3,072 x 2,040 (S) DX (24 x 16) image area: 4,800 x 3,200
(L), 3,600 x 2,400 (M), 2,400 x 1,600 (S) 5 : 4 (30 x 24) image area:
6,144 x 4,912 (L), 4,608 x 3,680 (M), 3,072 x 2,456 (S) FX-format
photographs taken in movie live view: 6,720 x 3,776 (L), 5,040 x 2,832
(M), 3,360 x 1,888 (S) DX-format photographs in movie live view: 4,800 x
2,704 (L), 3,600 x 2,024 (M), 2,400 x 1,352 (S) Note: Photographs
taken in movie live view have an aspect ratio of 16 : 9. A DX-based
format is used for photographs taken using the DX (24 x 16) 1.5x image
area; an FX-based format is used for all other photographs. |
| File format |
NEF (RAW): 12 or 14 bit, lossless compressed, compressed, or
uncompressed TIFF (RGB) JPEG: JPEG-Baseline compliant with fine
(approx. 1 : 4), normal (approx. 1 : 8), or basic (approx. 1 : 16)
compression (Size priority); Optimal quality compression available NEF
(RAW)+JPEG: Single photograph recorded in both NEF (RAW) and JPEG
formats |
| Picture Control System |
Can be selected from Standard, Neutral, Vivid, Monochrome,
Portrait, Landscape; selected Picture Control can be modified; storage
for custom Picture Controls |
| Media |
SD (Secure Digital) and UHS-I compliant SDHC and SDXC memory cards;
Type I CompactFlash memory cards (UDMA compliant) |
| Dual card slots |
Either card can be used for primary or backup storage, or for
separate storage of NEF (RAW) and JPEG images; pictures can be copied
between cards. |
| File system |
DCF (Design Rule for Camera File System) 2.0, DPOF (Digital Print
Order Format), Exif (Exchangeable Image File Format for Digital Still
Cameras) 2.3, PictBridge |
| Viewfinder |
Eye-level pentaprism single-lens reflex viewfinder |
| Frame coverage |
FX (36 x 24): Approx. 100% horizontal and 100% vertical 1.2x (30 x
20): Approx. 97% horizontal and 97% vertical DX (24 x 16): Approx. 97%
horizontal and 97% vertical 5:4 (30 x 24): Approx. 97% horizontal and
100% vertical |
| Magnification |
Approx. 0.7 x (50 mm f/1.4 lens at infinity, -1.0 m-1) |
| Eyepoint |
17 mm (-1.0 m-1; from center surface of viewfinder eyepiece lens) |
| Diopter adjustment |
-3 -+1 m-1 |
| Focusing screen |
Type B BriteView Clear Matte Mark VIII screen with AF area brackets
and framing grid |
| Reflex mirror |
Quick return |
| Depth-of-field preview |
When depth-of-field preview button is pressed, lens aperture is
stopped down to value selected by user (A and M modes) or by camera (P
and S modes) |
| Lens aperture |
Instant return, electronically controlled |
| Compatible lenses |
Compatible with AF NIKKOR lenses, including type G and D lenses
(some restrictions apply to PC Micro-NIKKOR lenses) and DX lenses
(using DX 24 x 16 1.5x image area), AI-P NIKKOR lenses, and non-CPU AI
lenses (exposure modes A and M only). IX NIKKOR lenses, lenses for the
F3AF, and non-AI lenses can not be used. The electronic rangefinder can
be used with lenses that have a maximum aperture of f/5.6 or faster. |
| Type |
Electronically-controlled vertical-travel focal-plane shutter |
| Speed |
1/8000 - 30 s in steps of 1/3, 1/2, or 1 EV, bulb, X250 |
| Flash sync speed |
X=1/250 s; synchronizes with shutter at 1/320 s or slower (flash
range drops at speeds between 1/250 and 1/320 s) |
| Release mode |
Single frame, Continuous low speed, Continuous high speed, Quiet
shutter-release, Self-timer, Mirror up |
| Approximate frame advance rate |
With EN-EL15 batteries - Image area: FX/5 : 4; CL: 1-4 fps, CH: 4
fps - Image area: DX/1.2x; CL: 1-5 fps, CH: 5 fps Other power sources -
Image area: FX/5 : 4; CL: 1-4 fps, CH: 4 fps - Image area: 1.2x; CL:
1-5 fps, CH: 5 fps - Image area: DX; CL: 1-5 fps, CH: 6 fps |
| Self-timer |
2 s, 5 s, 10 s, 20 s; 1-9 exposures at intervals of 0.5, 1, 2, or 3
s |
| Metering |
TTL exposure metering using 91K (91,000)-pixel RGB sensor |
| Metering method |
Matrix: 3D color matrix metering III (type G and D lenses); color
matrix metering III (other CPU lenses); color matrix metering available
with non-CPU lenses if user provides lens data. Center-weighted:
Weight of 75% given to 12 mm circle in center of frame. Diameter of
circle can be changed to 8, 15, or 20 mm, or weighting can be based on
average of entire frame (non-CPU lenses use 12-mm circle or average of
entire frame). Spot: Meters 4 mm circle (about 1.5% of frame) centered
on selected focus point (on center focus point when non-CPU lens is
used) |
| Range (ISO 100, f/1.4 lens, 20 °C/68 °F) |
Matrix or center-weighted metering: 0-20 EV Spot metering: 2-20 EV |
| Exposure meter coupling |
Combined CPU and AI |
| Exposure mode |
Programmed auto with flexible program (P); shutter-priority auto
(S); aperture-priority auto (A); manual (M) |
| Exposure compensation |
-5 -+5 EV in increments of 1/3, 1/2, or 1 EV |
| Exposure bracketing |
2-9 frames in steps of 1/3, 1/2, 2/3, or 1 EV |
| Flash bracketing |
2-9 frames in steps of 1/3, 1/2, 2/3, or 1 EV |
| White balance bracketing |
2-9 frames in steps of 1, 2, or 3 |
| ADL bracketing |
2 frames using selected value for one frame or 3-5 frames using
preset values for all frames |
| Exposure lock |
Luminosity locked at detected value with AE-L/AF-L button |
| ISO sensitivity (Recommended Exposure Index) |
ISO 100 - 6400 in steps of 1/3, 1/2, or 1 EV. Can also be set to
approx. 0.3, 0.5, 0.7, or 1 EV (ISO 50 equivalent) below ISO 100 or to
approx. 0.3, 0.5, 0.7, 1, or 2 EV (ISO 25600 equivalent) above ISO
6400; auto ISO sensitivity control available |
| Active D-Lighting |
Can be selected from Auto, Extra high, High, Normal, Low, or Off |
| Autofocus |
Nikon Advanced Multi-CAM 3500FX autofocus sensor module with TTL
phase detection, fine-tuning, 51 focus points (including 15 cross-type
sensors), and AF-assist illuminator (range approx. 0.5-3 m/1 ft 8 in.-9
ft 10 in.) |
| Detection range |
-2 -+19 EV (ISO 100, 20 °C/68 °F) |
| Lens servo |
Autofocus (AF): Single-servo AF (AF-S); continuous-servo AF (AF-C);
predictive focus tracking automatically activated according to subject
status Manual focus (M): Electronic rangefinder can be used |
| Focus point |
Can be selected from 51 or 11 focus points |
| AF-area mode |
Single-point AF, 9-, 21-, or 51- point dynamic-area AF,
3D-tracking, auto-area AF |
| Focus lock |
Focus can be locked by pressing shutter-release button halfway
(single-servo AF) or by pressing AE-L/AF-L button |
| Built-in flash |
Manual pop-up with button release and a Guide Number of 12/39,
12/39 with manual flash (m/ft, ISO 100, 20 °C/68 °F) |
| Flash control |
TTL: i-TTL flash control using 86K (86,400)-pixel RGB sensor is
available with built-in flash and SB-910, SB-900, SB-800, SB-700,
SB-600, or SB-400; i-TTL balanced fill-flash for digital SLR is used
with matrix and center-weighted metering, standard i-TTL flash for
digital SLR with spot metering |
| Flash mode |
Front curtain sync, slow sync, rear-curtain sync, red-eye
reduction, red-eye reduction with slow sync, slow rear-curtain sync;
Auto FP High-Speed Sync supported |
| Flash compensation |
-3 -+1 EV in increments of 1/3, 1/2, or 1 EV |
| Flash-ready indicator |
Lights when built-in flash or optional flash unit is fully charged;
blinks for 3 s after flash is fired at full output |
| Accessory shoe |
ISO 518 hot-shoe with sync and data contacts and safety lock |
| Nikon Creative Lighting System (CLS) |
Advanced Wireless Lighting supported with built-in flash, SB-910,
SB-900, SB-800, or SB-700 as a master flash and SB-600 or SB-R200 as
remotes, or SU-800 as commander; built-in flash can serve as master
flash in commander mode; Auto FP High-Speed Sync and modeling
illumination supported with all CLS-compatible flash units except
SB-400; Flash Color Information Communication and FV lock supported
with all CLS-compatible flash units |
| Sync terminal |
ISO 519 sync terminal with locking thread |
| White balance |
Auto (2 types), incandescent, fluorescent (7 types), direct
sunlight, flash, cloudy, shade, preset manual (up to 4 values can be
stored), choose color temperature (2500 K-10000 K), all with
fine-tuning. |
| Modes |
Live view photography (still images), movie live view (movies) |
| Lens servo |
Autofocus (AF): Single-servo AF (AF-S); full-time servo AF (AF-F)
Manual focus (M) |
| AF-area mode |
Face-priority AF, wide-area AF, normal-area AF, subject-tracking AF |
| Autofocus |
Contrast-detect AF anywhere in frame (camera selects focus point
automatically when face-priority AF or subject-tracking AF is selected) |
| Metering |
TTL exposure metering using main image sensor |
| Frame size (pixels) and frame rate |
1,920 x 1,080; 30 p (progressive), 25 p, 24 p 1,280 x 720; 60 p, 50
p, 30 p, 25 p Actual frame rates for 60 p, 50 p, 30 p, 25 p, and 24 p
are 59.94, 50, 29.97, 25, and 23.976 fps respectively; options support
both high and normal image quality |
| File format |
MOV |
| Video compression |
H.264/MPEG-4 Advanced Video Coding |
| Audio recording format |
Linear PCM |
| Audio recording device |
Built-in monaural or external stereo microphone; sensitivity
adjustable |
| Movie options |
Index marking, time-lapse photography |
| Monitor |
8-cm/3.2-in., approx. 921k-dot (VGA) TFT LCD with 170 ° viewing
angle, approx. 100% frame coverage, and automatic monitor brightness
control using ambient brightness sensor |
| Playback |
Full-frame and thumbnail (4, 9, or 72 images) playback with
playback zoom, movie playback, photo and/or movie slide shows,
highlights, histogram display, auto image rotation, and image comment
(up to 36 characters) |
| USB |
SuperSpeed USB (USB 3.0 Micro-B connector) |
| HDMI output |
Type C mini-pin HDMI connector; can be used simultaneously with
camera monitor |
| Audio input |
Stereo mini-pin jack (3.5mm diameter) |
| Audio output |
Stereo mini-pin jack (3.5mm diameter) |
| Ten-pin remote terminal |
Can be used to connect optional remote control, GP-1 GPS unit, or
GPS device compliant with NMEA0183 version 2.01 or 3.01 (requires
optional MC-35 GPS adapter cord and cable with D-sub 9-pin connector) |
| Supported languages |
Arabic, Chinese (Simplified and Traditional), Czech, Danish, Dutch,
English, Finnish, French, German, Indonesian, Italian, Japanese,
Korean, Norwegian, Polish, Portuguese, Romanian, Russian, Spanish,
Swedish, Thai, Turkish, Ukrainian |
| Battery |
One rechargeable Li-ion EN-EL15 battery |
| Battery pack |
Optional MB-D12 multi-power battery pack with one rechargeable
Nikon EN-EL15 Li-ion battery or eight AA alkaline, Ni-MH, or lithium
batteries. |
| AC adapter |
EH-5b AC adapter; requires EP-5B power connector (available
separately) |
| Tripod socket |
1/4 in. (ISO 1222) |
| Dimensions (W x H x D) |
Approx. 146 x 123 x 81.5 mm (5.7 x 4.8 x 3.2 in.) |
| Weight |
Approx. 1,000 g (2 lb 3.3 oz) with battery and SD memory card but
without body cap; approx. 900 g/1 lb 15.7 oz (camera body only) |
| Temperature |
0-40 °C (+32-104 °F) |
| Humidity |
Less than 85% (no condensation) |
| Supplied accessories |
EN-EL15 rechargeable Li-ion battery with terminal cover, MH-25
battery charger (AC wall adapter supplied only in countries or regions
where required), Strap (AN-DC6 for D800, AN-DC6E for D800E), UC-E14 USB
cable, USB cable clip, BF-1B body cap, BS-1 accessory shoe cover,
BM-12 monitor cover, ViewNX 2 installer CD |
What's in the Box:
- Nikon D800 Body Digital SLR (Body Only)
- Strap AN-DC6
- Battery Charger MH-25
- Body Cap BF-1B
- LCD Monitor Cover BM-12
- Hot shoe cover BS-1
- ViewNX2
- Battery EN-EL15
- USB Cable UC-E14
|
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
Features
Note: A full range of accessories are available, please click the tab above labelled 'Accessories'.
Nikon D800 Digital SLR Camera - Body Only Why Buy ME!
- 100% Australian Stock with Australian Nikon Warranty
- 36.3 Megapixel
- FX-Format (full-frame) CMOS Sensor
- Multi-area Full HD Movie Recording
- Wide Rangle ISO 100 to 6400
- EXPEED 3 Image Processor
- 51-point AF System
- 3.2" Wide Viewing LCD with 921k-dot Colour
- Up to 5fps of Continuous Shooting
Nikon D800 - Strikes an ideal balance between
sharpness and preventing the occurrence of false colour and moiré for
consistent performance
Ideal for:
- All shooting situations
- Photographers shooting RAW (NEF), JPG or TIFF images
- Photographers who do not want to adjust their workflow (via
software) to reduce the occurrence of moiré and false colour
Nikon FX-format CMOS sensor with 36.3 effective megapixels The
D800/D800E render levels of texture, nuance and detail to your
photography that, until now, have been the exclusive domain of the
complicated medium-format system. Define every eyelash, every line in
tree bark, and every shimmer of light. Savor the exceptional depth in
your still images — with the astounding 36.3 effective megapixels, the
world's highest*, you can. Enlarge them as big as A1 poster-sized prints
(59.4 x 84.1 cm/23.4 x 33.1 in.) at 200 dpi, or crop aggressively to
reach the composition you desire, all without sacrificing the detail and
tonal range of the original. In order to maintain clean,
high-resolution images, 14-bit A/D conversion within the sensor and a
high signal-to-noise ratio deliver phenomenal images in a diverse array
of situations. The image sensor's incredible potential does not stop
with photography, either. For cinematographers ready to put their
exceptionally sharp NIKKOR lenses into action, the D800/D800E's 36.3
effective megapixel data is efficiently processed for exquisite 1080p
broadcast quality video at 30p.

Standard ISO 100 to ISO
6400, range expandable to ISO 50 to 25600 equivalent High-resolution,
studio-quality images shouldn't be restricted to the studio. The
D800/D800E set a new benchmark for high-resolution D-SLR cameras, with
crisp clean images across a wide ISO range. Flexibility like this opens
up new imaging opportunities for both still photographers and
cinematographers alike during the "magic hour", the time just before
dawn or at dusk when available light is often beautiful but scarce. Even
at high ISO settings, the camera's intelligent noise reduction systems
manage noise without sacrificing fine details, giving the D800/D800E the
edge. The difference can even be seen in low-contrast subjects such as
hair and grass textures, which are often essential elements of cinema as
well as high-resolution portraits and landscape images. High image
quality at higher ISOs also means that you can shoot still images
handheld more confidently, knowing that fast shutter speeds will reduce
blur.
ISO100 to ISO6400

A strategic approach to
turn light to your advantage Combining both high-resolution
performance and a wide ISO sensitivity range has finally become a
reality. Nikon engineers have developed intelligent new methods to
manipulate light transmission to the sensor's photodiodes: from the
optical low-pass filter and on-chip gapless micro lenses to the image
sensor's internal design, every measure has been taken to maximize and
improve light transmission in order to deliver crisp, brilliant images
with significantly less noise. All this is possible under a wide variety
of lighting conditions, enabling you to get the most out of your NIKKOR
lenses.
Optical low-pass filter optimized for sharpness on the D800 Reducing
false color and moiré is the main job of the optical low-pass filter
located in front of the image sensor. However, this benefit is generally
gained with a small sacrifice of sharpness. Moiré occurs in scenes
containing repetitive details, such as strong vertical lines in
architecture. Finding the right balance between benefits and sacrifices
is the key to higher image quality, and that is what the D800's optical
low-pass filter delivers. As a result, the astounding 36.3 megapixels
unleash their potential through an optimized balance between sharpness
and effectively prevented moiré and false color. Furthermore, the
multi-layer structure of the D800 low-pass filter utilizes layers of
antireflective coating that have been optimized for the camera,
contributing to sharper and clearer images.
EXPEED 3
image-processing engine: speed, versatility, and high performance High-megapixel
still images are detail-rich but data-heavy. With the D800/D800E,
however, you don't have to sacrifice speed for this privilege. Dedicated
to understanding speed and its role in image making, Nikon engineers
designed a powerful EXPEED 3 image-processing engine exclusively for
digital SLRs. From image processing and card recording to image playback
and image transfer, EXPEED 3 manages massive amounts of data at faster
speeds than EXPEED 2. Even with specialized processing features like
Active D-Lighting and high ISO noise reduction, capture speed is not
affected. EXPEED 3 is so powerful that it handles data-intensive tasks
such as Full HD video recording at 30p with ease. You'll also notice the
difference in your still images and videos through minimized noise and
even richer colors and tones. In addition to these fundamental
advantages, the D800/D800E reduce the kind of color phase shift that
some cameras have difficulty with in similar situations.

14-bit A/D conversion
and 16-bit image processing for rich tones and natural colors Tonal
gradation is where an image transforms from simply representing life to
taking on a life of its own. The D800/D800E do exactly that, with
cutting-edge image processing that injects vital energy into your
images. Black is rendered as pitch black, and shadow details are subtle
and rich. Even under harsh, high-contrast light, where some cameras can
fail, the D800/D800E's gradation remains smooth with abundant detail and
tone all the way up the scale to pure white.

Advanced Scene
Recognition System with 91K-pixel RGB sensor Nikon's
revolutionary Advanced Scene Recognition System, introduced with the
flagship D4 camera, is also employed in the D800/D800E. At its core is a
91K-pixel RGB sensor that meticulously analyzes each scene with the
fine resolution. The RGB sensor can recognize your scene's colors and
brightness with unprecedented precision, then use that information to
implement various automatic controls and give you more natural-looking
results. The real breakthrough, however, is that the sensor can detect
human faces with startling accuracy when shooting through the optical
viewfinder. Along with face detection, detailed scene analysis is
utilized to support more accurate autofocus, auto exposure and i-TTL
flash exposure results in a diverse range of compositional and lighting
situations. The improved subject tracking is most noticeable when using
3D-tracking, which can maintain a focus on moving subjects smaller in
size than with previous generations.
3D color matrix
metering III for more accurate exposures Professional
photographers who shoot still images know that Nikon's metering system
delivers supremely well-balanced exposures. Thanks to the 91K-pixel RGB
sensor, the D800/D800E have far more detailed scene information at its
disposal — including detected face information. This data helps the 3D
color matrix metering III deliver more desirable auto exposures,
especially when there are human faces present. When the D800/D800E
detect a human face in a backlit situation, the camera determines the
overall exposure while prioritizing the facial exposure, which might
otherwise be underexposed. When a face is lit from the front and appears
much brighter than the background, the camera recognizes the situation
and avoids blowing out the facial details.

More balanced results
in i-TTL balanced fill-flash and Active D-Lighting Nikon's
i-TTL system has long been considered the most accurate flash control
system in photography, but now face detection and highlight analysis by
the 91K-pixel RGB sensor pushes performance even further. With the
D800/D800E's enhanced i-TTL balanced fill-flash, you can more precisely
illuminate people's faces in relation to their surrounding brightness
using either the built-in flash or an external hot-shoed Nikon
Speedlight. For weddings and fashion shoots, or any photography that
relies on the highest-quality still images, this new standard redefines
what a flash system should be. Face detection also makes a difference
when Active D-Lighting is used to retain highlights and shadows in
high-contrast lighting situations. Faces will be optimally exposed both
in the sun and in the shade.

Full HD video quality
and minimized rolling shutter effect: Dynamic movie shooting in diverse
lighting situations Many filmmakers, multimedia
professionals and still photographers need the highly mobile,
lightweight and compact form of a D-SLR in order to cover large events
or make documentaries, music videos or movies. For these professionals,
the D800/D800E are ready to create true cinematic experiences. By using
the B frame data compression method, you can record 1080p Full HD video
at 30p in H.264/MPEG-4 AVC format with unmatched moving image integrity
for up to approx. 29 min. 59 s* of recording in a single clip. Thanks to
Nikon's latest image-processing optimizations, the monumental power of
36.3 megapixels transforms to sharp, exquisitely rendered videos. Expect
exceptionally smooth gradation in blue skies, with minimum block noise
and beautifully natural movement rendered clearly and sharply. The
D800/D800E's intelligent image sensor reads out movie images at faster
rates than ever, significantly reducing the rolling shutter distortion
that can occur during panning shots or when shooting fast-moving lateral
subjects like trains. Thanks to EXPEED 3, your movies will take on a
distinctive look of their own, even with dimly lit scenes. Combine these
benefits and you'll begin to realize exactly the new creative
opportunities possible for photographers and cinematographers alike.
Multi-area
mode Full HD D-Movie: Creative movie-making freedom in FX- and DX-based
formats The D800/D800E are designed to stimulate
cinematographers to explore different moods and perspectives by enabling
Full HD and HD video recording in two frame formats; Nikon FX- and
DX-based movie formats in just one camera. When using wide-aperture
NIKKOR lenses, the large image area of the FX-based format* renders
exquisitely shallow depth of field with beautiful bokeh effects. The
DX-based format uses an image area similar to 35mm movie film, allowing
cinematographers to shoot with picture angles that they are accustomed
to. Having the advantage of two D-Movie formats in one camera and an
arsenal of NIKKOR lenses makes the D800/D800E an incredibly versatile
movie-making tool.

View simultaneous live
view output on external monitors and record uncompressed video via HDMI During
movie shooting, you can now simultaneously check videos on an external
monitor* using an HDMI connection, in addition to the camera's TFT
monitor. And for those who need the purest video output for professional
quality editing, you can now record uncompressed movie live view
footage directly to an external storage device via HDMI interface.

Versatile custom
settings for D-Movie The D800/D800E have addressed useful
feedback from videographers with convenient custom controls for D-Movie
operation. Instead of rotating the command dial, power aperture enables
smoother aperture controls during movie live view using a button
designated via custom menu, which can be very convenient to confirm
depth of field. Index marking helps you locate important frames for
later-stage in-camera editing and replay by attaching markers during
movie recording. Markings are indicated along with the progress bar,
which is easy to confirm visually.

Advanced Multi-CAM
3500FX autofocus sensor module for razor-sharp detection in low light Accurate
AF detection is crucial for extremely high-resolution still images in
every situation. The 51 sensor points in the D800/D800E’s AF sensor
module work down to -2 EV (ISO 100, 20°C/68°F), the approximate physical
limit of human visibility through an optical viewfinder. For even more
powerful detection, you can rely on the camera’s 15 crosstype sensors in
the center to detect both vertical and horizontal lines when using any
AF NIKKOR lenses of f/5.6 or faster. What’s more, AF can be activated
with eleven focus points in the center with open aperture of f/8*, which
is a big plus when you combine a telephoto lens with a 2.0x
teleconverter to shoot distant subjects.

Versatile AF-area modes Whether
it's a still life, a portrait, a landscape or a candid street scene,
your subject matter varies, but its importance doesn't. That's why the
D800/D800E offer four AF-area modes, each specifically tailored to adapt
to various subjects. Single-point AF is ideal when you need pinpoint
focus on stationary subjects. Dynamic-area AF has three options
(9-point, 21-point and 51-point) and is ideal for shooting moving
subjects. The selected AF point and the surrounding points keep your
subject in sharp focus even if it briefly leaves the selected points.
3D-tracking allows you to maintain focus on subjects that are moving
erratically from side to side. Auto-area AF detects human faces and
prioritizes their sharpness for you — an ideal choice for candid
photography.

Precision 8-cm
(3.2-in.), approx. 921k-dot, wide-viewing-angle LCD monitor with
automatic monitor brightness control The D800/D800E's large
and sharp color LCD monitor delivers bright, crisp image playback with a
much larger capacity for accurate color reproduction. Using an
antireflective structure, you can count on clarity equal to that of the
D4, even under bright conditions. Moreover, if monitor brightness is set
to "Auto", the camera automatically adjusts LCD brightness according to
the environmental lighting conditions measured by the ambient
brightness sensor, allowing easy use of live view in both bright and
low-lit places — very useful when shooting video and stills. The ability
to magnify playback images up to 46x (Large-size images in FX format)
is extremely helpful for spot focus confirmation.

Live view selector for
optimized still images and movies The D800/D800E's live view
operation has evolved even further, optimizing camera control to become
more intuitive for shooting video as well as still images. Simply
clicking the live view selector switches between live view modes
designed specifically for still images or movies. Live view photography
lets you shoot still images while confirming the exposure level on the
LCD monitor*. You can even magnify images up to approx. 23x to check the
exact focus. For movie live view on the other hand, the D800/D800E
incorporate a dedicated exposure control for quality video shooting,
enabling smooth exposure transition when shooting moving subjects. You
can also shoot video with full manual control. When needed, press the
shutter-release button while filming to instantly capture still images
in 16:9 aspect ratio. Each time you use live view, for either still
photography or movie shooting, your image area and camera setting
information will be clearly indicated, allowing you to confirm quickly.

Lightweight yet durable
construction Many important parts of the D800/D800E have
been designed to achieve better durability and lighter weight. The
result is a camera approx. 10% lighter than the D700, yet just as
rugged. A magnesium alloy construction protects the sophisticated
technologies against accidental shock, and weather and dust sealing has
been extensively applied and severely tested, making the D800/D800E as
reliable on the road as it is in the studio.

High-speed CF and SD
dual card slots Card recording speed is yet another crucial
element of a smooth and productive shooting experience. The D800/D800E
CF memory card slot is compatible with the latest UDMA 7. The SD card
slot is compatible with SDXC (Secure Digital eXtended Capacity) and
UHS-I. You can also use two cards simultaneously for a number of
functions, such as recording JPEG and RAW data on separate cards,
recording the same data simultaneously on two cards for backup and more.

|
|
 |
 |
 |
 |
|
 |

| Accessories for this product... |
|
|
|

|